توضیحاتی در مورد کتاب “Yellow” Coffins from Thebes: Recording and decoding complexity in Egyptian funerary arts (21st – 22nd Dynasties)
نام کتاب : “Yellow” Coffins from Thebes: Recording and decoding complexity in Egyptian funerary arts (21st – 22nd Dynasties)
عنوان ترجمه شده به فارسی : تابوت های "زرد" از تبس: پیچیدگی ضبط و رمزگشایی در هنرهای تدفین مصر (سلسله های 21 تا 22)
سری : BAR British Archaeological Reports International Series 3010
نویسندگان : Rogério Sousa
ناشر : BAR Publishing
سال نشر : 2020
تعداد صفحات : 247
ISBN (شابک) : 9781407357447 , 9781407357454
زبان کتاب : English
فرمت کتاب : pdf
حجم کتاب : 36 مگابایت
بعد از تکمیل فرایند پرداخت لینک دانلود کتاب ارائه خواهد شد. درصورت ثبت نام و ورود به حساب کاربری خود قادر خواهید بود لیست کتاب های خریداری شده را مشاهده فرمایید.
فهرست مطالب :
“Yellow” Coffins from Thebes
Contents
Acknowledgements
Foreword
1. Anthropoid coffins before the “yellow” type
1.1. Typology of anthropoid coffins
a. Mummiform coffins
b. Feathered (or rishi) coffins
c. “Festive dress” coffins
d. “Proto-yellow” coffins
1.2. Decoration
a. Rishi coffins
b. Mummiform coffins
c. “Festive dress” type
d. Proto-yellow type
e. Coffins and visual culture
2. “Yellow” coffins: definition and typology
2.1. The scheme of decoration of the “yellow” type
2.2. Genealogy and evolution
2.3. Typology of the “yellow” type
Headboard
Upper section
Central panel
Lower section: Central partition
Lower section: Lateral partitions
Footboard
2.4. Classification of lids and mummy-covers
3. The coffin set of Heritubekhet at the Staatliche Sammlung für Ägyptische Kunst in Munich
3.1. Lid
Iconography
Inscriptions
3.2. Case
Iconography
Inscriptions
3.3. Mummy-cover
Iconography
Inscriptions
3.4. Commentary
4. The coffin set of Tabasety at the Antikmuseet of the University of Aarhus
4.1. Lid
Iconography
Inscriptions
4.2. Case
Iconography
Inscriptions
4.3. Mummy-cover
Iconography
Inscriptions
4.4. Commentary
5. The mummy-cover from Bab el-Gasus at the Bohusläns Museum in Uddevalla
Iconography
Inscriptions
Commentary
6. The mummy-cover of Mutemuia at the University Museum of Aberdeen
Iconography
Inscriptions
Commentary
7. The coffin set of Henuttaui at the Staatliche Sammlung für Ägyptische Kunst in Munich
7.1. Lid
Iconography
Inscriptions
7.2. Case
Iconography (exterior)
Iconography (interior)
Inscriptions
7.3. Mummy-cover
Iconography
Inscriptions
7.4. Commentary
8. The coffin set of Amenniutnakht in Cairo: a case study of a 21st Dynasty burial assemblage
8.1. Description of decoration and texts on the lid (CG 6174)
a. Headboard and upper section
b. Central panel (CP)
c. Lower section
Central partition
Lateral partitions
Footboard (FB).
8.2. Description of iconography and texts on the exterior of the case (CG 6173)
Headboard (HBe)
Right column
Left column
Footboard (FBe)
Right side
Left side
8.3. Description of the decoration on the interior of the case (CG 6173)
Floorboard (FLB).
Headboard interior (HBi)
Side walls
8.4. Description of decoration and texts on the mummy-cover (CG 6196)
Headboard and upper section
Central Panel (CP)
Lower section
Footboard (FB)
8.5. Observations on iconography and texts of the lid (CG 6174)
8.6. Observations on iconography and texts of the exterior of the case (CG 6173)
8.7. Observations on the decoration of the interior of the case (CG 6173)
8.8. Observations on iconography and texts of the mummy-cover (CG 6196)
8.9. Writing style in the coffin of Amenniutnakht
8.10. Additional components in the burial equipment of Amenniutnakht
Mummy braces with tabs and pendant (location unknown).
8.11. Observations on the burial assemblage of Amenniutnakht
8.12. Conclusions
9. The Coffin set of Hori from Bab el-Gasus (21st Dynasty): royal attributes and deification scenes
9.1. The Owner, Hori
9.2. The coffin set
Outer coffin
Inner coffin
Innermost coffin
9.3. The unique scenes of Hori’s coffin set
Hori as a king
Hori as a deity
9.4. Conclusion
10. Burial ensemble of Ankhef in the collection of the Ivanovo Regional Art Museum (Russia)
10.1. Coffin
a. General description.
b. State of preservation
c. Evidence of re-use
d. Lid
Upper section (A). (Figs 10.10-10.11)
Central panel (B) (Fig. 10.14)
Lower section
Footboard (E).
Inscriptions of the lid
e. Case
Headboard (A).
Right wall (B)
Left wall (C).
10.2. Mummy-cover
a. General description.
b. State of preservation.
c. Evidence of re-use.
d. Scenes and Inscriptions.
Headboard (A).
Central panel (registers B-C).
Lower section (D).
10.3. Additional remarks.
Annex: Inscriptions on the coffin and the mummy-cover of Ankhef508
11. An unusual Third Intermediate Period Egyptian coffin at the Wayne County Historical Museum (WCHM)
11.1. Lid
a. Iconography
Headboard
Upper section
Central panel
Lower section
Footboard
b. Inscriptions
11.2. Case
a. Iconography (exterior)
Headboard
Sides
b. Inscriptions
c. Iconography (interior)
11.3. Workshop practices
a. Pictorial work
b. Carpentry work
11.4. Dating the WCHM coffin
11.5. Placement of WCHM coffin in the TIP corpus
12. Chemical analysis of paints reveals history of an Egyptian coffin at the Wayne County Historical Museum
12.1. Chemical analysis of pigments
a. Results of chemical tests
Unpainted coffin wood
The preparation layer
Black paint
White paint
Yellow paint
Red paint
Blue paint
Green paint
Brown paint
12.2. Paint and wood filler in restored areas
12.3. Discussion and conclusions
13. “Yellow” type and genealogy: formal variability and meaning in coffin decoration
13.1. Variability and change
13.2. Genealogical line
13.3. Impact and meaning of variability in coffin decoration
Bibliography
List of sources
Biographic notes on the Authors