فهرست مطالب :
Cover
Volume 1
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Title
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Original Copyright
Contents
General Editor's Introduction
1: A Brief Chronology
2: The Plays
Waiting for Godot
All That Fall
Endgame
Act without Words I
Krapp's Last Tape
Rough for Theatre I and II
Embers
Act without Words II
Rough for Radio I and II
Happy Days
Words and Music
Play
Cascando
Film
Come and Go
Eh Joe
Not I
That Time
Footfalls
Ghost Trio
‘…but the clouds…’
A Piece of Monologue
Rockaby
Ohio Impromptu
Quad
Catastrophe
Nacht and Träume
What Where
3: Non-Dramatic Writing
a: Prose in Performance
b: Fiction
c: Other Works
4: The Writer on His work
5: A Select Bibliography
Full-Length Studies
Articles and Chapters in Books
Volume 2
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Contents
Illustrations
Foreword
Acknowledgements
Chronology
1 Introduction
2 The One That Got Away: Eleuthéria
3 Bailing Out the Silence: Waiting for Godot
4 Son of Oedipus: Endgame
5 Love and Doom in an Irish Suburb: All That Fall
6 Death and the Maiden: Krapp's Last Tape
7 Hectoring Voices in the Head: Embers, Eh Joe, Words and Music, Cascando, Ghost Trio, . . . but the Clouds . . ., Rough for Radio
8 Blaze of Hellish Light: Happy Days
9 The Net Closes: Play
10 Into Action: Acts Without Words, Film, Come and Go, Breath
11 Last Ditch: Not I, That Time, Footfalls
12 Performance and Response
13 Still Struggling: Human Wishes, A Piece of Monologue, Rockaby, Ohio Impromptu, Quad, Catastrophe, Nacht und Träume, What Where
Bibliographical Note
Index
Volume 3
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Contents
Contributors
Acknowledgments
1 Introduction
2 The Satiric Shape of Watt
3 'The Labours of Poetical Excavation'
4 Assumption to Lessness: Beckett's Shorter Fiction
5 Innovation and Continuity in How It Is
6 The Dubious Consolations in Beckett's Fiction: Art, Love and Nature
7 Bilingual Playwright
8 Film and the Religion of Art
9 The Space and the Sound in Beckett's Theatre
Select List of Beckett's Principal Works
Select List of Critical Writings
Index
Volume 4
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Contents
Series Editor's Foreword
Editor's Introduction
Part I
Chapter 1: Words and Music: Situating Beckett
Chapter 2: Samuel Beckett and the Arts of Time: Painting, Music, Narrative
Chapter 3: Beckett as Marsyas
Chapter 4: Beckett Music
Chapter 5: The Word Man and the Note Man: Morton Feldman and Beckett's Virtual Music
Chapter 6: Reflections on Beckett and Music, with a Case Study: Paul Rhys's Not I
Chapter 7: Skeptical Pictures in the Music of Company
Chapter 8: A Statistical Analysis of Beckett's Musical Metaphors
Chapter 9: Interview with Philip Glass
Part II
Chapter 10: Resonant Images: Beckett and German Expressionism
Chapter 11: Six Degrees of Separation: Beckett and the Livre d'Artiste
Chapter 12: Nor Do My Doodles More Sagaciously: Beckett Illustrating Watt
Chapter 13: The Becketts of Mabou Mines
Chapter 14: Interview with Maguy Marin
Part III
Chapter 15: The Silence That Is Not Silence: Acoustic Art in Samuel Beckett's Embers
Chapter 16: Working Wireless: Beckett's Radio Writing
Chapter 17: All That Fall and Radio Language
Chapter 18: Mediatating On: Beckett, Embers, and Radio Theory
Chapter 19: Unswamping a Backwater: On Samuel Beckett's Film
Chapter 20: Continued Perception: Chaos Theory, the Camera, and Samuel Beckett's Film and Television Work
Contributors
Volume 5
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Contents
Acknowledgements
Introduction
1 Mimicking Mimesis
Play: Theatre on Trial
Catastrophe: The Body in Representation
What Where: Shades of Authority
2 Masquerades of Self
That Time: Between Frames
A Piece of Monologue: Beyond the Frame
3 This Sex which is not One
Not I: Staging the Feminine - From Excess to Absence
Come and Go: A Pattern of Shades
4 Refiguring Authority
Footfalls: Dreadfully Un-
Rockaby: Those Arms at Last
Ohio Impromptu: Rites of Passage
Conclusion: Beckett and Performance - Back to the Future
Notes
Bibliography
Index