دانلود کتاب Global Perspectives on Sustainable Fashion

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Cover page\nHalftitle page\nCopyright page\nCONTENTS\nLIST OF FIGURES, TABLES, AND ILLUSTRATIONS\nACKNOWLEDGMENTS\nLIST OF CONTRIBUTING AUTHORS\nFOREWORD\n NOTES\nINTRODUCTION\n REFERENCE\nPART 1 LATIN AMERICA\n CHAPTER 1.1 SUNSHINE ON A CLOUDY DAY Sustainable Fashion in Brazil\n INTRODUCTION\n FAST FASHION\n SLOW FASHION\n SUSTAINABLE FASHION BRANDS\n SPECIAL PROJECTS\n NEW BUSINESS MODELS IN NETWORKS\n CO-WORKING\n CIRCULAR ECONOMY\n CONCLUSION\n NOTES\n REFERENCES\n CHAPTER 1.2 A SPOTLIGHT ON: FASHION ACTIVISM The Impact of the Fashion Revolution Movement in Brazil\n NOTES\n CHAPTER 1.3 RAÍZ DISEÑO The Journey of a Silent Resistance\n THE JOURNEY\n DESIGN IS RESISTANCE\n RESISTING THROUGH WHAT IS LEFT\n RESISTING WITH THE VOICE\n RESISTING THROUGH YOUR VIEW\n REFERENCES\n CHAPTER 1.4 A SPOTLIGHT ON: THE PRODUCTION OF WOOL FIBER IN URUGUAY\n REFERENCES\n CHAPTER 1.5 INDEPENDENT FASHION DESIGN IN ARGENTINA Is “Sustainablewashing” a Concern?\n INTRODUCTION\n METHODOLOGY\n SUSTAINABILITY IN FASHION, “SUSTAINABLE WASHING,” AND INDEPENDENT FASHION DESIGN\n GREENWASHING OR SUSTAINABLEWASHING?\n ANALYSIS\n CONCLUSIONS\n RECOMMENDATIONS\n LIMITATIONS\n ACKNOWLEDGEMENTS\n NOTES\n REFERENCES\n CHAPTER 1.6 A SPOTLIGHT ON: SUSTAINABLE FASHION IN COLOMBIA Perspectives and Scope\n ACKNOWLEDGEMENT\n REFERENCES\nPART 2 NORTH AMERICA\n CHAPTER 2.1 INDUSTRY LEADERSHIP TOWARD SUSTAINABLE FASHION THROUGH USER CONSUMER ENGAGEMENT North America\n INTRODUCTION\n LIFE-CYCLE ANALYSIS OF APPAREL AND THE CIRCULAR ECONOMY: CONSUMER CONCEPT\n ISSUES SURROUNDING USER CONSUMER SUSTAINABILITY ENGAGEMENT/ACTIONS\n INDUSTRY LEADERSHIP IN USER CONSUMER ENGAGEMENT\n CONCLUSION\n NOTES\n REFERENCES\n CHAPTER 2.2 A SPOTLIGHT ON: PATTERN MAKERS AND GARMENT MAKERS Midwest, Ohio, Cleveland\n REFERENCES\n CHAPTER 2.3 CLASSING CALIFORNIA’S WOOL From Local to Global Networks\n INTRODUCTION\n WHY WOOL? WHY CLASSING?\n LOCAL AND GLOBAL\n KNOTWORKS AND NETWORKS\n LANDSCAPES OF WOOL PRODUCTION\n ENSKILLED SENSES\n EMPLACED SKILLS\n CONCLUSION\n NOTES\n REFERENCES\n CHAPTER 2.4 A SPOTLIGHT ON: PRELOVED (CANADA)\n REFERENCES\n CHAPTER 2.5 SUSTAINABLE FASHION IN CANADA Unpacking the Spaces and Practices of “Made in Canada”\n INTRODUCTION\n METHODOLOGY\n STRUCTURE OF THE CANADIAN FASHION INDUSTRY: THE INDEPENDENT FASHION DESIGN SECTOR\n THE MOTIVATIONS BEHIND “MADE IN CANADA”\n CONCLUSION\n ACKNOWLEDGEMENT\n REFERENCES\n CHAPTER 2.6 A SPOTLIGHT ON: PRATT INSTITUTE/BROOKLYN FASHION + DESIGN ACCELERATOR “Keeping the Cart Attached To the Horse”\nPART 3 EUROPE\n CHAPTER 3.1 SUSTAINABILITY AND GARMENT LONGEVITY IN THE UK HIGH STREET\n INTRODUCTION\n THE UK HIGH STREET\n THE UK FASHION CONSUMER\n FASHION AND THE CIRCULAR ECONOMY IN THE UK\n HOW CAN THE LIFE OF MASS MANUFACTURED GARMENTS BE EXTENDED?\n CONCLUSION\n NOTES\n REFERENCES\n CHAPTER 3.2 A SPOTLIGHT ON: SUSTAINABLE FASHION IN THE NETHERLANDS\n CHAPTER 3.3 SUSTAINABILITY IN THE TEXTILES AND CLOTHING FASHION INDUSTRY An Ongoing Study in Portugal\n INTRODUCTION\n THE TEXTILE AND CLOTHING INDUSTRY IN PORTUGAL\n SUSTAINABLE CONSUMPTION IN PORTUGAL\n SUSTAINABLE BRANDS IN PORTUGAL\n FINAL CONSIDERATIONS\n NOTES\n REFERENCES\n CHAPTER 3.4 A SPOTLIGHT ON: VIGGA.US Sharing Baby Clothes in a Sustainable Product-Service System\n NOTES\n REFERENCES\n CHAPTER 3.5 SETTING OUT ON A JOURNEY TOWARD SUSTAINABLE LUXURY IN SPAIN\n INTRODUCTION\n AIM OF RESEARCH AND RESEARCH METHOD\n CASE STUDY: TEIXIDORS\n RESULTS\n CONCLUSION\n NOTES\n REFERENCES\n CHAPTER 3.6 A SPOTLIGHT ON: TEXTILE-LED SUSTAINABLE INNOVATION OF SURFACE COLORATION AND PATTERNING FOR SPORTSWEAR\n INTRODUCTION\n INNOVATIVE LASER-BASED TEXTILE SURFACE DESIGN TECHNIQUES\n CONCLUSION AND REFLECTIONS\n ACKNOWLEDGEMENTS\n REFERENCES\nPART 4 ASIA (WESTERN, CENTRAL, SOUTH CENTRAL, EASTERN)\n CHAPTER 4.1 FASHIONING SUSTAINABILITY IN HONG KONG AND CHINA\n INTRODUCTION\n CURRENT DEVELOPMENT OF FASHION INDUSTRY IN HONG KONG AND CHINA\n REGIONAL ENVIRONMENTAL PROBLEMS AND THE CSR PRACTICES OF SELECTED COMPANIES IN THE REGION\n TOWARD SUSTAINABLE FASHION PRACTICES\n CASE STUDIES: EMERGING INDIVIDUAL SUSTAINABLE FASHION BRANDS AND NGOs IN HONG KONG AND CHINA\n CONCLUSION\n NOTES\n REFERENCES\n CHAPTER 4.2 A SPOTLIGHT ON: SUCCESSFUL STRATEGIES AND CORE STRENGTHS OF THE SELF EMPLOYED WOMEN’S ASSOCIATION Learning Milestones toward Building Sustainable Fashion Organizations\n DESIGN INTERVENTION STRATEGIES\n SEWA’S CORE STRENGTHS\n REFERENCES\n CHAPTER 4.3 COLLABORATIVE CONSUMPTION FOR SMALL- AND MEDIUM-SIZED FASHION ENTERPRISES IN SOUTH KOREA\n INTRODUCTION\n OVERVIEW OF THE SOUTH KOREAN FASHION INDUSTRY\n APPROACH TO SUSTAINABLE FASHION AND COLLABORATIVE CONSUMPTION\n THE RISE OF COLLABORATIVE CONSUMPTION IN SOUTH KOREA\n DISCUSSION\n CONCLUSION\n ACKNOWLEDGEMENTS\n REFERENCES\n CHAPTER 4.4 A SPOTLIGHT ON: EXAMPLES OF SUSTAINABLE FASHION IN SRI LANKA\n HOUSE OF LONALI\n REFERENCES\n CHAPTER 4.5 SUSTAINABLE ANATOLIA Craft-Centered Design in Turkey\n INTRODUCTION\n INDUSTRY CONTEXT IN TURKEY’S FASHION SECTOR\n THE ROLE OF CRAFT IN REVALUING THE “LOCAL”\n USE OF CRAFT IN CREATING A TURKISH DESIGN IDENTITY\n CRAFT-CENTERED DESIGN\n CONCLUSION\n REFERENCES\n CHAPTER 4.6 A SPOTLIGHT ON: REDRESS A Case Study of a Sustainable Fashion Initiative Influencing Consumption Practices in Hong Kong and Asia\n SOCIAL MARKETING CAMPAIGNS\n CONSUMER ORIENTATION AND INVOLVEMENT\n COLLABORATIVE OPPORTUNITIES\n RE-ADDRESSING THE CULTURAL–COMMERCIAL DYNAMIC\n CONCLUSION\n REFERENCES\nPART 5 SOUTHEAST ASIA AND OCEANIA\n CHAPTER 5.1 SUSTAINABLE FASHION IN AUSTRALIA Raw Fiber, Fast Fashion, and New Localism\n INTRODUCTION\n BACKGROUND\n PRODUCING FASHION IN THE WIDE BROWN LAND\n PRODUCING RAW FIBER\n LOCAL STORIES AND LOCAL MAKING\n LOCAL AND TRANSPARENT, LOCAL AND AUTHENTIC\n CONCLUSION\n NOTE\n REFERENCES\n CHAPTER 5.2 A SPOTLIGHT ON: SUSTAINABLE AUSTRALIAN INDIGENOUS FASHION\n REFERENCES\n CHAPTER 5.3 PRODUCING SUSTAINABLE FASHION Made in Vietnam\n INTRODUCTION\n BACKGROUND\n TEXTILES AND CLOTHING IN VIETNAM\n DESIGNER FASHION\n FASHION INDUSTRY WORKERS\n THREATS TO THE LOCAL INDUSTRY\n CONCLUSION\n ACKNOWLEDGEMENTS\n REFERENCES\n CHAPTER 5.4 A SPOTLIGHT ON: SPACE BETWEEN Fashion Activism in New Zealand\n REFERENCES\n CHAPTER 5.5 FASHION PRACTICES IN CAMBODIA Contrasting Paradigms Between the Export Apparel Industry and Small–medium Enterprises in Cambodia\n INTRODUCTION\n LABOR MOVEMENT IN THE CAMBODIAN GARMENT INDUSTRY\n CONTRASTING PARADIGMS AND PRACTICES IN CAMBODIA\n CONCLUSION\n NOTES\n REFERENCES\n CHAPTER 5.6 A SPOTLIGHT ON: SUSTAINABILITY OF RENTING WEDDING DRESSES IN ASIAN REGIONS\n REFERENCES\nPART 6 AFRICA AND THE MIDDLE EAST\n CHAPTER 6.1 A CASE FOR DESIGN-LED ENVIRONMENTALLY SUSTAINABLE FASHION DESIGN PRAXIS IN SOUTH AFRICA\n INTRODUCTION\n FASHION AND TEXTILE INDUSTRY OF SOUTH AFRICA TODAY\n ENVIRONMENTAL SUSTAINABILITY: THE APPROACH AND THE STRATEGY\n A HOLISTIC APPROACH TO ENVIRONMENTAL SUSTAINABILITY\n REFLECTIONS\n HOLISTIC VIEW AND MEANING\n THE APPROACH TO PRAXIS\n THE KNOWLEDGE GAP AND THE DESIGNER\n CONCLUSION\n NOTE\n REFERENCES\n CHAPTER 6.2 A SPOTLIGHT ON: DEVELOPING SUSTAINABLE FASHION IN SOUTH AFRICA Sustainable Cotton Cluster\n ACKNOWLEDGEMENT\n REFERENCES\n CHAPTER 6.3 CHALLENGES PREVENTING THE FASHION INDUSTRY FROM IMPLEMENTING SUSTAINABLE PRODUCT SERVICE SYSTEMS IN BOTSWANA AND KENYA\n INTRODUCTION\n SUSTAINABLE DESIGN IN SUSTAINABLE FASHION\n CO-CREATION PROCESS IN SUSTAINABLE FASHION\n SUSTAINABLE BUSINESS MODELS FOR SUSTAINABLE FASHION\n RESEARCH METHOD\n FINDINGS\n DISCUSSION\n CONCLUSION\n REFERENCES\n CHAPTER 6.4 A SPOTLIGHT ON: DESIGNING SUSTAINABLE INDIGENOUS FABRIC AND ATTIRE FOR YOUNG WOMEN IN ZIMBABWE’S TERTIARY INSTITUTIONS\n INTRODUCTION\n INDIGENOUS KNOWLEDGE SYSTEMS AND ECO-FRIENDLY DESIGNS\n DRESS IN ZIMBABWE\n RESEARCH METHOD\n POSSIBLE OUTCOMES OF THE STUDY\n CONCLUSION\n REFERENCES\n CHAPTER 6.5 SUSTAINABLE FASHION AND THE UNITED ARAB EMIRATES VISION 2021\n INTRODUCTION\n SUSTAINABLE FASHION\n UAE VISION 2021—TO MAKE UAE ONE OF THE TEN MOST SUSTAINABLE COUNTRIES IN THE WORLD\n UNDERPINNING THE WIDER UAE 2021 VISION: A SPECIFIC FRAMEWORK\n WHAT DOES UAE VISION 2021 MEAN FOR THE COUNTRY’S FASHION INDUSTRY?\n WHY EMBRACE THE VISION?\n CULTURAL VALUES\n SPREADING AWARENESS\n WHO IS LEADING THE WAY?\n CONCLUSION\n NOTE\n REFERENCES\n CHAPTER 6.6 A SPOTLIGHT ON: SHAHIRA MEHREZ, EGYPT The Continuation of Culture\n REFERENCES\n CONCLUDING REMARKS\nRESOURCES\nINDEX\nPlates