دانلود کتاب Je T’Aime... Moi Non Plus: Franco-British Cinematic Relations

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Contents\nList of Illustrations\nList of Tables\nAcknowledgements\nIntroduction. Franco-British Cinematic Relations: An Overview\nPart I: Industry and Institutions\n1 The Exhibition, Distribution and Reception of French Films in Great Britain during the 1930s\n2 The ‘Cinematization’ of Sound Cinema in Britain and the Dubbing into French of Hitchcock’sWaltzes from Vienna (1934)\n3 Une Entente Cordiale? – A Brief History of the Anglo-French Film Coproduction Agreement, 1965–1979\n4 Channel-crossing Festivals: The Cases of the French Film Festival U.K. and Dinard’s Festival du Film Britannique\n5 The Language of Love? How the French Sold Lady Chatterley’s Lover (Back) to British Audiences\nPart II: Reception and Perceptions\n6 Disciplining the Nouvelle Vague: Censoring A Bout de Souffle and Other Early French New Wave Films (1956–1962)\n7 The Reception of the Nouvelle Vague in Britain\n8 ‘New Waves, New Publics?’: The Nouvelle Vague, French Stars and British Cinema\n9 Mirror Image: French Reflections of British Cinema\n10 ‘Incredibly French’?: Nation as an Interpretative Context for Extreme Cinema\n11 British Audiences and 1990s French New Realism: La Vie Rêvée des Anges as Cinematic Slum Tourism\nPart III: Personnel and Performance\n12 ‘The Meaning of That French Word Chic’: Annabella’s Franco-British Stardom\n13 ‘Those Frenchies Seek Him Everywhere’: David Niven in Franco-British Cinematic Relations\n14 Truffaut in London\n15 Jane Birkin: From English Rose to French Icon\n16 The French Resistance Through British Eyes: From ’Allo ’Allo! to Charlotte Gray\n17 ‘In the Ghetto’: Space, Race and Marginalization in French and British ‘Urban’ Films La Haine and Bullet Boy\nNotes on Contributors\nIndex