دانلود کتاب Making Hip Hop Theatre: Beatbox and Elements

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Cover\nHalftitle page\nTitle page\nCopyright page\nDedication\nCONTENTS\nILLUSTRATIONS\nABOUT THE AUTHORS\nACKNOWLEDGEMENTS\nON COLLABORATION AND THE VOICES IN THIS BOOK\n Here’s Conrad\nOUR COLLABORATORS\nWHY WE WROTE THIS\nNOTE FROM THE AUTHORS\nSome introductions\n Hip hop culture: A brief history\n Conrad on hip hop\n Katie on hip hop\n Conrad on the Battersea Arts Centre, the venue where it all started\n The Beatbox Academy: How it began\nPART ONE Getting started Hip hop principles, warm-up games and learning the beatbox basics\nPrinciples of hip hop\n The elements\n The cypher\n Freestyle\n Sampling\n Style and authenticity\nWarm-ups\n Simple warm-ups\n Warm-up games\nBeatbox basics\n Vocalizing Boom! Tee! Cla!\n Exercises for basic sounds\n Conrad has this to say about the importance of timing\n Learning the foundation beat\n Second foundation beat\nProgressing technique\n Circle Jams\n Relative pitch and harmony\n Practicing tempos\n Cyphers\n Battling\nEquipment\n Microphones\n Loop stations\n Metronome\n DAW (Digital Audio Workstations)\nOnline teaching platforms\nFurther resources\nEnding sessions\nPART TWO Developing ideas and making a living Tips on working with people, putting a show together and developing a career in the theatre\nPrinciples for working with . . .\n Working with . . .\nStimulus and starting points\n Why?\n Putting ideas on their feet\n Exercises you can do alone or in a group\n Exercises for groups\n Devising and developing\nPractical tips for starting a theatre career\n Working with venues\n Money stuff\n Validation and success\nPART THREE How we made it Case study examples from Conrad’s hip hop shows\nHitler Wrote 20 Pop Songs . . . Have You Heard Them?\n What is it?\n Why we made it\n Creative techniques\n Challenges\n Reception\nNo Milk for the Foxes\n What is it?\n Why we made it\n Creative techniques\n Challenges\n Reception\nDenMarked\n What is it?\n Why we made it\n Creative techniques\n Challenges\n Reception\nHigh Rise eState of Mind\n What is it?\n Why we made it\n Creative techniques\n Challenges\n Reception\nFrankenstein: How to Make a Monster\n What is it?\n Why we made it\n Creative techniques\n Challenges\n Reception\nAgainst ‘spoken word’!\n Spoken word\n ‘Spoken word’ and UK theatre\nINDEX