دانلود کتاب Re-playing Shakespeare in Asia

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Book Cover
Title
Copyright
Contents
Figures
Acknowledgments
Re-playing Shakespeare in Asia: An Introduction
Part I Re-playing Interculturality
1 Other Shakespeares in Asia: An Overview
2 Asian Theatres, Mnouchkine and Shakespeare: The Search for a Theatrical Form
3 Shakespeare and the Indian Image(nary): Embod(y)ment in Versions of A Midsummer Night’s Dream
4 “What, has this thing appear’d again tonight?”: Re-playing Shakespeares on the Japanese Stage
Part II Re-playing Textuality/ Theatricality
5 Fooling with Lear: A Performance History of Suzuki Tadashi’s King Lear (1984–2006)
6 Six People in Search of “To be or not to be …”: Hamlet’s Soliloquy in Six Chinese Productions and the Metamorphosis of Shakespeare Performance on the Chinese Stage
7 Is This Shakespeare?: Inoue Hidenori’s Pop Adaptations of Shakespeare
8 From Proscenium to Paddy Fields: Utpal Dutt’s Shakespeare Jatra
Part III Re-playing Ethnicity, Identity, and Postcoloniality
9 And Never the Twain Shall Meet?: Shakespeare and Philippine Performance Traditions
10 The Stages ‘Occupied by Shakespeare’: Intercultural Performances and the Search for ‘Korean-ness’ in Postcolonial Korea
11 Shakespeare in the Shadows: Cultural Alienation, Politics and Eddin Khoo’s Shadow Puppet Adaptation of Macbeth
12 The Peripheral Body of Empire: Shakespearean Adaptations and Taiwan’s Geopolitics
13 “No World without Verona Walls”?: Shakespeare in the Provincial Cultural Marketplace
Part IV Re-playing Genre and Gender
14 Dancing to Shakespeare: Crossing Genre and Gender in the Tragedies
15 “Living in a Different House”: A Gambuh Macbeth in Bali
16 “O Heavy Lightness, O Serious Vanity”: Camping Romeo and Juliet in Postcolonial Taiwan
Contributors
Index of Shakespeare’s Plays
Subject Index