دانلود کتاب The Bloomsbury Handbook of Music Production

فهرست مطالب :

Cover\nHalf title\nTitle\nCopyright\nContents\nList of Figures\nList of Tables\nNotes on Contributors\nIntroduction\nPart I Background\n 1 Recorded Music\n 2 Authenticity in Music Production\n 3 How to Study Record Production\nPart II Technology\n 4 From Tubes to Transistors: Developments in Recording Technology up to 1970\n 5 Transitions: The History of Recording Technology from 1970 to the Present\n 6 How Does Vintage Equipment Fit into a Modern Working Process?\nPart III Places\n 7 Recording Studios in the First Half of the Twentieth Century\n 8 Recording Studios since 1970\nPart IV Organizing the Production Process\n 9 Information, (Inter)action and Collaboration in Record Production Environments\n 10 Creative Communities of Practice: Role Delineation in Record Production in Different Eras and across Different Genres and Production Settings\n 11 Pre-Production\nPart V Creating Recorded Music\n 12 Songwriting in the Studio\n 13 The Influence of Recording on Performance: Classical Perspectives\n 14 Welcome to the Machine: Musicians, Technology and Industry\n 15 Studying Recording Techniques\n 16 Materializing Identity in the Recording Studio\nPart VI Creating Desktop Music\n 17 Desktop Production and Groove\n 18 The Boom in the Box: Bass and Sub-Bass in Desktop Production\n 19 Maximum Sonic Impact: (Authenticity/Commerciality) Fidelity-Dualism in Contemporary Metal Music Production\n 20 Desktop Production and Commerciality\n 21 Audio Processing\nPart VII Post-Production\n 22 Studying Mixing: Creating a Contemporary Apprenticeship\nPart VIII Distribution\n 23 Producer Compensation in the Digital Age\n 24 Evolving Technologies of Music Distribution: Consumer Music Formats – Past, Present and Future\n 25 Listening to Recorded Sound\n 26 Interpreting the Materials of a Transmedia Storyworld: Word-Music-Image in Steven Wilson’s Hand. Cannot. Erase. (2015)\nIndex